EOS C300 Mark II
EOS C300 Mark II
The EOS C300 Mark II delivers high image quality and a wide dynamic range in a compact and ergonomically designed body that has improved operability, ruggedness and options for expansion. Its in-built advance focusing functions that assist professionals for manual focusing stems from the next evolutionary step in DAF engineering
Key Features
Features
Newly developed 4K (DCI/QFHD) 8.85megapixel sensor and Wider Dynamic Range of 15 Stops
Canon has developed a new sensor that supports 4K (DCI) recording with a maximum 4 096 x 2 160 resolution, producing footages with high image quality. Also, 2K/HD recording (Over Sampling HD processing) that utilizes the information yielded from the 4K sensor to the full more than satisfactorily supports multi-purpose production needs. When users have selected the Canon Log 2 gamma, the dynamic range changes from 200% to 1600% when ISO 100 to ISO 800 is selected, and a wide dynamic range of 1600% is achieved for ISO800 at the base sensitivity and higher. This enables the details of the highlights and shadows to be adjusted, and it extends the scope of color grading.
Engineering advancement in focus functions
AF speed tuning has now been implemented. The focusing area has been expanded to 80% (vertically) x 80% (horizontally) of the image display on the screen. The focusing area can also be moved using the 4-direction key for AF shooting using the framework of the user's choice. This truly innovative UI applies the phase difference AF technology of Dual Pixel CMOS AF to deliver information that includes even the pre-focus and post-focus states of the focusing position, greatly improves user friendliness and efficiency in operation. This removes some of the obstacles to focusing in 4K shooting which demands extreme focusing accuracy.
Pursuing further excellence in operability, expandability and ruggedness
The new handle bracket has multiple threaded holes that are the same size as those on the accessories provided so that many different accessories can be mounted. This increases the degree of freedom in shooting as well as enhances user friendliness and rigging possibilities. A ND filter expansion mode of 8 and 10 stops, on top of the current 2, 4 and 6 stops is also supported. This enables the aperture to be opened even in bright outdoor environments to capture shots with a shallow depth of field.
Specifications
| Sensor | Super 35mm type CMOS | |||||||||||||||||||||||
| System | RGB primary colour filter (Bayer array) | |||||||||||||||||||||||
| Total Pixels | 9.84megapixel | |||||||||||||||||||||||
| Effective Pixels | 8.85megapixel when 4 096 x 2 160 / 2 048 x 1 080 resolution selected 8.29megapixel when 3 840 x 2 160 / 1 920 x 1 080 resolution selected |
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| Dynamic Range | With Canon Log gamma: 800% With Canon Log2 Gamma 1600% (ISO 850 or above / gain 2.5dB or more) |
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| Horizontal Resolution | 1800 TV lines or more depends On shooting resolution and on lens used. | |||||||||||||||||||||||
| Minimum Illumination | 59.94Hz Mode 0.3lx [F1.2 lens, 24dB, PF29.27 mode, shutter speed 1/30] 50Hz Mode 0.25lx [F1.2 lens, 24dB, PF25, shutter speed 1/25] |
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| Lens Mount | Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade) |
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| Peripheral Illumination Correction | YES (dependent on lens used) |
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| ND Filter | 6 glass filters in camera body: 2 stops; 4 stops; 6 stops, 8 stops, 10 stops*1. Operate via body, wireless control or via RC-V100 Remote Control Unit. |
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| Focus Control | Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses |
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| Iris Control | Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) |
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| Image Stabilization System | Depends on lens used |
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| Image Processor | ||||||||||||||||||||||||
| Type: | Dual DIGIC DV5 | |||||||||||||||||||||||
| Video Storage Media | CFast2.0™ and SD card supported. Simultaneous Recording to CFast2.0™ and External Device possible | |||||||||||||||||||||||
| Recording Time | Depending on card used and resolution / bit rate selected | |||||||||||||||||||||||
| File Format | XF-AVC (Material eXchange Format (MXF)) | |||||||||||||||||||||||
| Recording Standard | Video Compression: |
MPEG-4 AVC / H.264 | ||||||||||||||||||||||
| Audio Recording: |
Linear PCM (16bit / 24bit- 48kHz - 4ch) | |||||||||||||||||||||||
| File Format: |
XF-AVC (MXF) | |||||||||||||||||||||||
| Bit rate: | Intra 410/225 / 220 / 110Mbps, Long GOP 50Mbps | |||||||||||||||||||||||
| Long GOP: | 35 or 24 Mbps (for proxy recording on SD cards) | |||||||||||||||||||||||
| Recording format: CFast 2.0™ Card | Intraframe recording Resolution: |
4 096 x 2 160 / 3 840 x 2 160 / 2 048 x 1 080 / 1 920 x 1 080 | ||||||||||||||||||||||
| Signal configuration: | YCC422 10bit* |
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| Long GOP recording Resolution: |
2 048 x 1 080 / 1 920 x 1 080 | |||||||||||||||||||||||
| Signal configuration: | YCC422 10bit | |||||||||||||||||||||||
| Recording format: SD Card | Movies (Long GOP recording only *) : * Proxy recording using low bit rate |
Resolution: |
2 048 x 1 080 / 1 920 x 1 080 | |||||||||||||||||||||
| Signal configuration: | YCC420 8bit | |||||||||||||||||||||||
| Photo (JPEG): | Resolution: | 2 048 x 1 080 / 1 920 x 1 080 |
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| Recording frame rate | 59.94Hz: | 59.94i / 59.94p / 29.97p / 23.98p (Depending on resolution selected) |
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| 50.00Hz: | 50.00i / 50.00p / 25.00p (Depending on resolution selected) |
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| 24.00Hz: | 24.00p | |||||||||||||||||||||||
| Slow/Fast motion | ||||||||||||||||||||||||
| 59.94Hz |
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| 50.00Hz |
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| Interval Record | Yes | |||||||||||||||||||||||
| Frame Record | Yes | |||||||||||||||||||||||
| Pre-Record | Yes | |||||||||||||||||||||||
| Relay Recording | Yes | |||||||||||||||||||||||
| Double Slot (simultaneous) Recording | Yes | |||||||||||||||||||||||
| Scan Reverse | Yes: Both / Vertical / Horizontal / Off | |||||||||||||||||||||||
| HD to SD conversion | No | |||||||||||||||||||||||
| Internal Data Transfer | MOVIE | Clips can be copied from CFast2.0™ to CFast2.0™ card internally in Media Mode | ||||||||||||||||||||||
| Photo storage media | SD Card | |||||||||||||||||||||||
| Still quality | 2 048 x 1 080 / 1 920 x 1 080 | |||||||||||||||||||||||
| Size | 10.16cm(3.93in diagonal) color wide-screen LCD with 16:9 aspect ratio |
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| Dots | 1.23 million dots (854 x RGB x 480), 100% field of view coverage |
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| Image Quality Adjustments | Super High, High or Normal can be selected as the luminance adjustment. Others are same as for the viewfinder. |
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| Adjustability | Yes |
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| Waveform Monitor | Yes |
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| Focus Assist | Yes |
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| Peaking | Yes |
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| Zebra | Yes |
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| Markers | Yes | |||||||||||||||||||||||
| Size | 1.16cm(0.46in on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio |
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| Type | Organic LED |
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| Dots | 1 770 000 dots (1 024 x RGB x 576) |
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| Image Quality Adjustments | Adjustment of the viewfinder brightness, contrast, color, sharpness and luminance boosting (on / off) can be performed (using menu settings). |
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| Adjustable | Yes |
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| Correction Lens | +2.0 to -5.5 diopter | |||||||||||||||||||||||
Audio in |
Yes: 2x XLR input on monitor unit, 3.5mm input on Camera Body |
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Headphone output |
Yes Output impedance 50Ω or less, Reference signal output level 50Ω or less |
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Video/Audio output |
MON., REC OUT terminals: BNC Jack |
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HDMI |
HDMI terminal (type A) Complies with HDMI specifications. Video/Audio output |
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IEEE 1394 (Firewire) |
No |
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USB |
No |
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Time code |
BNC jack (input/output) |
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Genlock |
BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0Vp-p, Input impedance 10KΩ |
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Synch |
BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0Vp-p, Input impedance 10KΩ |
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LCD Monitor Input/Output |
VIDEO terminal Canon’s proprietary specifications (special 13-pin jack) |
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Component out |
No |
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AV terminal |
No |
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DC input |
Yes |
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Remote Control Terminal |
2.5mm mini jack |
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Wireless Control Terminal |
Via optional Wi-Fi adaptor |
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Colour Bars |
EBU, SMPTE, ARIB | |||||||||||||||||||||||
| Tally Lamp | Yes | |||||||||||||||||||||||
| Accessory Shoe | Yes (cold shoe, 3 locations: top of body, top of handle, front of handle) | |||||||||||||||||||||||
| Exposure Modes | Manual, Push Auto Iris, Auto Iris (with compatible lenses). | |||||||||||||||||||||||
| Metering Options | Standard (center-weighted metering) | |||||||||||||||||||||||
| Spotlight | ||||||||||||||||||||||||
| Backlight compensation | ||||||||||||||||||||||||
| Exposure Compensation | 0.25 increments from ±0 to ±2.0. | |||||||||||||||||||||||
| Push Auto Iris | Yes (EF and EF-S lenses. Not available with EF Cinema Lenses.) | |||||||||||||||||||||||
| Exposure Lock | Via Push AI Function | |||||||||||||||||||||||
| Auto Gain Control setting | Yes | |||||||||||||||||||||||
| ISO Sensitivity | 1-stop display: |
160(*), 200, 400, 800, 1 600, 3 200, 6 400, 12 800, 25 600 | ||||||||||||||||||||||
| 1-stop display (Extended Range ON): |
100, 160(*), 200, 400, 800, 1 600, 3 200, 6 400, 12 800, 25 600, 51 200, 102 400 | |||||||||||||||||||||||
| 1/3rd stop display: | 160, 200, 250, 320, 400, 500, 640, 800, 1 000, 1 250, 1 600, 2 000, 2 500, 3 200, 4 000, 5 000, 6 400, 8 000, 10 000, 12 800, 16 000, 20 000, 25 600 |
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| 1/3rd stop display (Extended Range ON): | 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1 000, 1 250, 1 600, 2 000, 2 500, 3 200, 4 000, 5 000, 6 400, 8 000, 10 000, 12 800, 16 000, 20 000, 25 600, 32 000, 40 000, 51 200, 64 000, 80 000, 102 400 |
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| Gain Setting | Normal: |
-2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB |
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| Normal (Extended Range ON): | -6dB, -3dB, -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, 45dB, 48dB, 51dB 54dB |
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| Fine: | -2dB to 24dB (0.5dB increments). | |||||||||||||||||||||||
| Control Modes | Off, Speed, Angle, Clear Scan, Slow | |||||||||||||||||||||||
| Shutter Speed Range | 59.94i / 59.94p: | 1/60 to 1/2000; SLS: 1/4, 1/8, 1/15, 1/30; CS: 23.98Hz - 250.370Hz |
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| 29.98p: | 1/30 to 1/2000; SLS: 1/4, 1/8, 1/15; |
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| 23.98p / 24p: | 1/24 to 1/2000; SLS: 1/3, 1/6, 1/12; CS: 24.00Hz - 250.370Hz |
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| 50i / 50p: | 1/50 to 1/2000; SLS: 1/3, 1/6, 1/12, 1/25; |
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| 25p: | 1/25 to 1/2000; SLS: 1/3, 1/6, 1/12; CS: 25.00Hz - 250.40Hz |
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| Shutter Angle Settings | 59.94i / 59.94p: | 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25 | ||||||||||||||||||||||
| 50i / 50p: | 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25 | |||||||||||||||||||||||
| AF Options | Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF | |||||||||||||||||||||||
| AF Modes | One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting | |||||||||||||||||||||||
| Face Detection AF | Yes; Face Priority or Face Only | |||||||||||||||||||||||
| Dual Pixel CMOS AF | Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models) | |||||||||||||||||||||||
Stored Configurations |
7 presets: |
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Storage Medium |
Internal or SD card |
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Gamma Setting Options |
Canon Log 2 / Canon Log / Wide DR / EOS Std.Normal 1 (STANDARD)/Normal 2 (4.0x) / Normal 3 (BT.709) |
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Colour Space Settings |
Cinema Gamut / BT.2020 Gamut / DCI-P3 Gamut / BT.709 Gamut |
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Colour Matrix Settings |
Neutral / Production Camera / Cinema EOS Original Video / EOS Std. / OFF |
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Customisable and protected settings |
Yes |
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Black Gamma |
Yes |
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Low Key Saturation |
Yes |
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Knee |
Yes |
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Sharpness |
Yes |
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Noise reduction |
Yes |
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Skin detail |
Yes |
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Selective Noise Reduction |
Yes |
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Colour matrix |
Yes |
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White balance |
Yes |
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Colour correction |
Yes |
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Setup level |
Yes |
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Press |
Yes |
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Clip 100% IRE |
Yes | |||||||||||||||||||||||
Auto |
Yes |
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Kelvin Range |
2000 - 15 000K, 100K intervals, Default 5 500K |
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Preset |
Daylight / Tungsten |
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White Balance Shift |
Yes, -9 to +9 (Daylight or Tungsten Preset selected) |
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| Black Balance Adjustment | Yes | |||||||||||||||||||||||
Countup system |
Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode) |
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Start value setting |
“00:00:00:00”, Set / Reset selectable |
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Recording |
16-bit 2ch (48kHz) linear PCM | |||||||||||||||||||||||
Control |
Independent limiters and auto/manual settings | |||||||||||||||||||||||
Microphone attenuation |
Yes | |||||||||||||||||||||||
Microphone level meter |
Yes | |||||||||||||||||||||||
Supplied |
Monitor Unit Handle Unit Thumbrest WFT Attachment Tripod Adaptor Base Eye Cup CVF Cap Shoulder Strap Battery Charger CG-10 AC Adaptor CA-A10 AC Cable Battery Pack BP-A30 Hhex wrench H hexagon screw set UN-5 Cable (X2) Lithium battery CR2025 Bracket |
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| Optional (includes discontinued items) | Canon Battery Pack BP-A30 (included with Camera)/BP-A60 Canon AC adapter CA-A10 Canon Battery Charger CG-A10 Canon Remote Controller RC-V100 Canon shoulder strap SS-1200 (provided with the Camera) Canon Tripod Adapter TA-100 Canon Tripod base TB-1 Canon Shooting Brace SBR-1000 Canon Wireless transmitter WFT-E6 Canon GPS Receiver GP-E1 Canon unit cable UN-5 (provided)/UN-10 (purchased separately) Canon microphone adapter MA-400 (optional accessory) Canon rod clamp RD-1 (purchased separately) |
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| Battery Type | BP-A30 (included), BP-A60 (optional) | |||||||||||||||||||||||
| Input Power Supply | 14.4 V DC (battery pack), 16.7 V DC (DC IN) | |||||||||||||||||||||||
| Dimensions |
Thumbrest attached: |
149 x 183 x 183mm | ||||||||||||||||||||||
| Grip attached: | 190 x 183 x 187mm | |||||||||||||||||||||||
| Grip, bracket and handle attached: | 190 x 265 x 226mm | |||||||||||||||||||||||
| Grip, bracket, handle and monitor attached: | 190 x 307 x 362mm | |||||||||||||||||||||||
| Detachable handle | Yes | |||||||||||||||||||||||
| Operating Temperature range | 0°C to 40°C, 85% (relative humidity) -5°C to 45°C, 60% (relative humidity) |
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